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Born in Connecticut in 1936, Lawder attended Williams College and the National Autonomous University of Mexico as an undergraduate, and studied at the Ludwig Maximilian University of Munich. While at the University of Munich, he became a test subject for a neurologist researching phosphenes at around 1960. During these experiments, he was injected with measured amounts of LSD, mescaline and psilocybin, and "spent a whole day in the clinic". In this, he became an early subject of psychedelics. Afterwards, he received his Doctor of Philosophy as an art historian at Yale University. His thesis, which was later published as The Cubist Cinema, examines the correlation between the history of film and its impact on modern art, described as a holistic overview by Anthony Reveaux inFilm Quarterly. His body of work is purported to span over 25 films and his literary works encapsulates several essays on experimental film. His first endeavors with experimental films started in his basement during a sabbatical of his in the late 1960s and early 1970s.
Filmography
Movies and shows, newest first
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2006
Cinema16: American Short Films
Movie Director
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1988
Electronical Politics
Movie Director
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1975
Solstice and Solyanka
Movie
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1974
Catfilm for Katy and Cynnie
Movie Director
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1973
Intolerance (abridged)
Movie Director
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1972
Screening Room
TV show Himself
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1972
Raindance
Movie Director
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1972
Sunday In Southbury
Movie Director
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1971
Color Film
Movie Director
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1970
Corridor
Movie Director
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1970
Roadfilm
Movie Director
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1970
Dangling Participle
Movie Director
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1970
Necrology
Movie Director
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1970
Eleven Different Horses
Movie Director
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1969
Runaway
Movie Director
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1969
Catfilm for Ursula
Movie Director
More credits
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1969
Construction Job
Movie Director
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1968
Diaries, Notes, and Sketches
Movie Self
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1965
The March of the Garter Snakes
Movie Director