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Hans Cürlis filmed Kandinsky, Grosz, Pechstein, Dix, Kollwitz, Liebermann, and Calder at work, many years before Paul Hasaert’s Visite à Picasso. Cürlis had studed with Wölflin and had written his thesis on Dürer. In 1919 he established the Institut für Kulturforschung, "the first German scientific institution which consciously selected the cinema as a form of expression through the results of its own work" (Cürlis, 1929). That he is not considering simply a form of documentation is demonstrated by the fact that among his first collaborators can be listed animation and silhouette artists such as Bartosch, Carl Koch, Lotte Reiniger, and Toni Rabold. After a film on African sculpture and a number of geographical documentaries, in 1922 he began the series Schaffende Hände: short films not "on art" so much as the physical process of the creation of a work of art turned into cinema.
Filmography
Movies and shows, newest first
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1952
Drei Meister schneiden in Holz
Movie Director
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1951
Der Film entdeckte Kunstwerke indianischer Vorzeit
Movie Director
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1951
German Film Award
TV show Self
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1949
Schwarz - Weiß - Gelb
Movie Director
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1946
Vitamins in the Street
Movie Director
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1946
Fleckfieber droht!
Movie Director
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1942
Bach - Mozart - Beethoven
Movie Director
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1934
Geheimnisse der Mumien
Movie Director
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1929
Alceo Dossena
Movie Director
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1929
Alexander Calder
Movie Director
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1929
The Lower Danube
Movie Director
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1929
People and Books
Movie Director
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1926
Die Weltgeschichte als Kolonialgeschichte
Movie Director
- 1926
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1924
Schaffende Hände: Max Oppenheimer
Movie Director
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1923
Schaffende Hände: George Grosz
Movie Director
More credits
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1922
Cinderella
Movie Producer
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1922
Schaffende Hände: Lovis Corinth
Movie Director
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1919
The Ornament of the Lovestruck Heart
Movie Producer