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Nalini Malani is a leading contemporary artist from India whose work looks critically at issues of gender, race, geopolitics, and the impact of consumer culture amidst rampant globalization. Working across painting, drawing, installation, animation, video and theater, Malani’s practice is characterized by its political bite, and, as described by the artist, for having an ‘internationalist’ perspective of global issues. Malani came to prominence in the 1980s through pioneering work that brought Feminist issues to the fore, courageously addressing the fatal place of women in Indian society. Highlight the violent legacy of colonialism has been a central concern, especially due to how she experienced it firsthand as a child and refugee during the partition of India. Formally, her work has borrowed imagery from Hindu as well as Greek mythology, and is characterized by a distinct combination of abstraction and figuration. From the 90s onwards her focus shifted towards theater and immersive installation pieces that incorporate video or hand-drawn animation while dealing with similar subject matter.
Filmography
Movies and shows, newest first
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2012
In Search of Vanished Blood
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2003
Unity in Diversity
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2000
Hamletmachine
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1997
The Job
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1996
Memory: Record/Erase
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1976
Utopia
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1973
Taboo
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1969
Onanism
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1969
Still Life
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1969
Dream Houses
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